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Greetings! I’m a writer, editor, and teacher, and I enjoy connecting with readers and other writers. From 2017 to 2021, I served as Alabama's Poet Laureate. I call this blog and website "A Map of the World" because I think that, as writers, we each map the world through our own lives and imaginations. Welcome to my particular map! To get in touch, you can email me at forjenhorne@gmail.com or find me on Facebook at https://www.facebook.com/for.jen.horne where I post a Mid-Week Poetry Break every Wednesday.

Monday, April 18, 2011

Literary Season in Alabama



I always get a kick out of "literary season" in Alabama, which, in my mind, starts with On the Brink in Jacksonville in February and ends with the Alabama Writers Symposium the first weekend in May in Monroeville. It's mostly organized so as not to interfere with that other season in Alabama, the one that takes place in the fall. Last week was a good one: Wendy Reed and I turned in the final manuscript of our new collection of essays, to be titled Circling Faith: Southern Women on Spirituality (UA Press, forthcoming 2012); I had a great visit to Wallace Community College in Dothan, Alabama, where faculty, staff, and students made me feel very welcome as I gave a workshop and reading (thanks to Sally Buchanan for the photo); and, after a scary weather day on Friday, Saturday in Montgomery at the Alabama Book Festival held in Old Town (where we spied this bottle tree outside of Bottle Tree Pottery) was fine in all ways.
(Etymology-nerd note on the origin of the word tornado: it derives from the Spanish tronado, meaning thunder, and tornar, meaning to turn, so a tornado is a kind of turning thunderstorm.)

Thursday, April 7, 2011

Art, Salvation, Faith, and Spirit

I've been reading biographies and autobiographies of poets lately and just finished reading Mark Doty's Firebird. These words struck me, and I wanted to share them for other writers and artists. Doty begins a section near the end of the book with the sentence, "I believe that art saved my life. How is it that making sustains? I had these examples, this gift . . . ." He then recounts the various experiences in his life that were important to him in becoming a writer. He continues: "The gift was a faith in the life of art, or, more precisely, a sense that there was a life which was not mine, but to which I was welcome to join myself. A life which was larger than any single person's, and thus not one to be claimed, but to apprentice oneself to. In the larger, permanent community of makers, you could be someone by being no one, by disappearing into what you made. In that life your hands were turned, temporarily, to what beauty wanted, what spirit--not your spirit, not exactly--desired: to come into being, to be seen."

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