Typus Orbis Universalis

Typus Orbis Universalis

Welcome

I’m a writer, editor, and teacher, and I enjoy connecting with readers and other writers. I grew up in Arkansas and have lived for many years in Alabama, although I’ve also lived abroad, in England and Romania, and have traveled extensively in Ireland and Greece. I’ve written two collections of poems, "Little Wanderer" (2016) a collection of road and travel poems, and "Bottle Tree" (2010), which focuses on my experiences as a southern woman. I’ve also written "Tell the World You’re a Wildflower," a collection of loosely interwoven short stories in the voices of southern women and girls. I love to put together collections as well, and I edited "Working the Dirt: An Anthology of Southern Poets," and co-edited, with Wendy Reed, "All Out of Faith: Southern Women on Spirituality," and "Circling Faith: Southern Women on Spirituality," as well as "Belles’ Letters II: Contemporary Fiction by Alabama Women," co-edited with Don Noble. I’m currently working on a memoir-influenced book about Scott and Zelda biographer Sara Mayfield as well as a new collection of short stories.

Blog Posts

Below you'll find occasional blog posts, as the spirit moves me.

Blog Archive

Wednesday, August 10, 2016


YEATS INTERNATIONAL SUMMER SCHOOL READING, July 27, 2016

Thank you for being here.  

Thanks especially to the Yeats Society, Ian Kennedy, and the Summer School, and to director Geraldine Higgins for the invitation to read. Thanks to Liber bookstore for stocking my book and to Margaret Raftery for handling sales. I’m delighted that my husband, Don, is here, and it’s wonderful to see our friends the poet Joan McBreen and her husband, Joe, as well as Mark Dawson, a poet and a friend of thirty years, all the way back to graduate school in Alabama. I’m very happy to see friends from previous years as well.

I first discovered the Yeats International Summer School when my husband brought a group of students from the University of Alabama on a summer program to Ireland, and we spent a weekend in Sligo. I was intrigued to learn about the school, and came back a couple of years later for a whole week. I guess I got hooked, and in a good way—this is my seventh time at the School!

So it’s a great pleasure to have the opportunity to read from this brand-new book, Little Wanderer, from Salmon Poetry.

My first book of poems, Bottle Tree, focused heavily on the American South, while this one ranges across a number of different countries. This second book, I believe, bears the influence of my studies in the Yeats School, which has expanded my knowledge of poetry as well as my vision of what poetry can do and be, as a result of the many fine lectures I’ve heard and seminars I’ve attended, with Patrick Crotty, Jonathan Allison, Bernard O’Donahue, Lauren Arrington, Helen Vendler, Lucy McDiarmid, and, this year, Rand Brandes.

Eudora Welty said that to comprehend one place is to understand all places better, and I think you could also say that to comprehend one poet, especially such a poet as Yeats, is to understand all poetry—including one’s own—better. That’s certainly been true for me.

So, on to my own.
Little Wanderer is made up of four sections, starting in southern Europe, going east to Romania and the Czech Republic, working north to England and then Ireland, and finally returning west, to home, which for me is the southern states of Arkansas and Alabama. I thought I’d read a sampler of poems, some from each section. These are, certainly, poems of travel, of adventures and encounters and surprises. I also hope that they are poems that raise questions of how to be in the world, of our responses and responsibilities. As an American writer I’m acutely aware of the influence of the U.S. government on world events, and of how I move around the world as an American citizen.

But I’ll begin with a more interior poem, the first poem in the book, “Principles of Flight.”



Principles of Flight


You ask what I know about it.
I gain momentum, am off
and afloat on currents.
Birds flip past on jaunty wings.

I have been practicing
the etiquette of the traveler,
the grace of the grateful guest
as she takes her leave.

Our backyard garden grows richly,
I know. Have you seen
the runway lights,
how they bud at dusk?

In the middle of goodbyes,
I still can see the blue hydrangeas,
full against the white brick porch
where flight began.

Here is the resolution
to my headstrong departure:
Leaving, I savor the thought
of return to our soft bed.

*

I closed with a poem written for my friend Gretchen McCullough when she was leaving Tuscaloosa to go to the American University in Cairo, where she still teaches:

A Poem for Leaving

                             —for Gretchen


The bright blue sky we woke to
proclaims: good weather for travelers.
Knowing you leave soon,
I search for a charm,
the stone/shell/bone/sign/word
to keep you safe under that other blue sky,
the one you travel to as if
on some magic flying carpet,
strong and wide enough to hold
your two hefty suitcases,
travel bag, light reading,
xeroxed grammar worksheets.

Do you, can you, know
what else you take with you?
We're under your fingernails,
lodged in your throat,
you've got this red dirt
running through your blood.
We know you won't forget us—
it's too late for that, even though
we're not on that massive yellow-pad list.
Take us, take this moment,
find a niche in the suitcase,
pull us out for luck, or comfort,
when you need it.
Travel’s coordinates are distance and time,
little things, really, small matters,
next to love’s bright lines.



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